The Wyvern Hawk dwells in it's cave. It lays dormant upon it's vast horde of TV shows, films and computer games.
There is a pissing cyclopes outside guarding the entrance, no one knows why he's there, some say he's waiting for the bathroom, others mention that it could be the only thing Matthew J Griffin knows how to draw.
Be warned brave adventurer, many a mind has been blow at the wonders that await the slayer of this mighty beast.
Oh, and this is Geeky Tom's Blog by the way. Sasha (The Other Girl), Crabs (The Colossus of Sheffield) and Matt Haydock also post from time to time.
Russell Norman walking and talking (Italian)
-
He's created some of my favourite places to eat in London, he's also
designed them - and inadvertently changed the look of many London eateries.
Russell ...
Cold Case
-
"Hey, guy, any cold sodas?" The kid exuded youthful disdain, hands thrust
deep in dark pockets, eyes hard. Adams observed the swagger. Shoplifter? he
thoug...
I haven’t posted in a while, I think it’s because I have been caught up in all the Christmas shenanigans that tend to fill up your calendar at this time of year.
I’m up in Sheffield at the moment watching the Pigglet Movie on BBC 1, soon to be followed by the Tigger movie apparently. TV this year has been terrible, probably to do with the recession or something. So I thought I would waste sometime on a few kids movies.
One of my biggest grievances this year has been the lack of Scrooged (Bill Murray). That changed last night as it was on Film4. Now I’m not a scheduler but what the hell is that movie doing on the 29th December. There are three films that must be shown on Christmas eve: Scrooged, Elf and Cliff Hanger. It’s not rocket science, hopefully someone will pay attention and fix it for next year.
Anyway, I thought I would post some trailers that have got me excited for the coming year.
Kick–Ass
I got shown this yesterday by Greg. It looks VERY silly, but there is something refreshing about the young girl’s potty mouth.
Iron man 2
I loved the last movie and the sequel looks like more of the same. More drinking, more womanising and loads more flying suits with guns...oh and Mickey Rourke.
Mass Effect 2
Yes it’s a computer game, but the Mass Effect series is as close to a film as you can probably get. The next game stars Martin Sheen, Seth Green and loads of other famous people, good at being famous.
Is Carly Simon Famous? She’s singing at the end of the Pigglet movie. She must be a country singer of something. She definitely hasn’t made it big over in the UK.
Homeward bound 2 is after the Tigger Movie...oh why not, I’ve got nothing better to do.
It's been a hell of a long time since I posted anything on here, as Geeky Tom pointed out yesterday. Rubbish excuse, but I have been meaning to post for ages (I even started one on Pixar's UP a few months ago but got sidelined partway through and never finished). So to try and make amends, here's a bumper post on all the film and telly things recently viewed, in a not-very-concise-at-all manner.
First up - the latest Steven Soderbergh film, THE INFORMANT.
Based - loosely - on the story of real life corporate whistleblower Mark Whitacre (Matt Damon), who discovers his agro-chemical company are involved in international price fixing. He turns spy for the FBI, but it becomes apparent over time that Whitacre is a fantastist (perhaps even bi-polar) - and not the most trustworthy of informants...
Damon is excellent as the moustache-sporting, lumpenly egotistical Whitacre, demonstrating strong comedic chops after honing his action hero skills as Jason Bourne. Soderbergh's eye for detail and careful production design lovingly re-creates the look and feel of a midwestern US office in the early 90s, making it seem every bit as historic to us now as the 1960s and 70s. Unfortunately, the satirical schtick only goes so far to make this an entertaining dark comedy, and Whitacre's unreliability as a narator and constant evasiveness make it difficult to engage as a viewer. There's also too much repetition of the central conceit, causing the movie to lag in the middle. Ultimately, The Informant is an exercise in style over substance, lacking a much needed bite of meaty drama.
I was lucky enough to be invited to a preview screening of highly-anticipated Spike Jonze feature WHERE THE WILD THINGS ARE. Having read a couple of swooning reviews and an interesting feature on the genesis of the movie and the 8 foot tall puppets created by the Jim Henson Company, I was looking forward to this film a lot - perhaps too much. Hearing something's praises sung to the highest heavens does tend to create unrealistic expectations, and while I truly liked this undoubtedly bold, brave, singular movie, I didn't quite feel the sense of magic, of being transported and uplifted, that I secretly wished for.
Nonetheless, I don't have anything bad to say about this movie and it does achieve something really hard to come by in Hollywood movies - a true sense of originality and artistic vision. Max Records gives a wonderful, unreserved performance as 9 year old Max, riven with feelings, fears and impulses he can't fully express. The adult actors, from Catherine Keener as his harried single mother, to James Gandolfini, Paul Dano, Forest Whitaker and Catherine O'Hara who voice the astonishing puppets are by turns endearing and scary. And a special mention must go to the beautifully atmospheric music created by, amongst others, musicians from the Yeah Yeah Yeah's, The Raconteurs and Queens of the Stone Age.
Some have said Where The Wild Things Are is about childhood but not for children, and it's hard to see what young viewers used to live action kids' movies and animated family films will make of this. But it does convey the tumultuous and volatile feelings of growing up in way that does justice to Maurice Sendak's bestselling book, with no Disney-fied sugar coating to sweeten the pill. Go see - and in the right mood, you might really feel the magic Jonze has laboured to create on screen.
This post has run away from me, but in brief then, TV I have been watching recently that you too should be watching: E4's Misfits - acerbic, dark, funny, self-deprecating and very British; Sky's Modern Family - best new US sitcom this year; Glee (coming to E4 next year) - a mix of comedy, drama and musical that is original and joyous; Mad Men - 60s set ad-men drama continues to scintillate; Vampire Diaries (ITV2 in Jan) - chiselled teen vamps with enough lust and angst to tide you over til True Blood returns; Fringe - mind-boggling sci-fi drama brimful of inventiveness; The Good Wife (More4/C4 next year) ER alumni Julianna Margulies plays a woman who stands by her adulterous US State Attorney husband in this finely-crafted drama; Flash Forward - it aint Lost, but it's getting better all the time; V - loved the pilot, not sure I've been convinced by the subsequent three but will persevere. Finally - it's not current but I've just finished The West Wing and it's now in my all time top shows. If you've never seen it, it's sublime - invest in the box set.